Elijah Ober was born in New Hampshire and grew up in Southern Maine. His work combines found materials with his own fabrications to create objects with basic functional aspirations and fugitive presence.
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Spanning painting, sculpture, installation, and print media, Tom Ryan’s practice examines the flaws, incompleteness, and incoherence of human sensory perception.
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Kenny Shapiro has spent the past two years working as a sculptor and studio assistant for John Bisbee after graduating from Bowdoin College in 2018. He makes formally and materially simple objects through redundant, rote, and ritualistic processes.
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Cody Stack was raised in Old Orchard Beach, Maine. Currently, his primary artistic focus is painting; his recent work utilizes fundamental dualities to focus on the inherent contradictions that underlie his artistic decision-making.
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Emilie is an interdisciplinary artist, working in painting, video, and sculpture. In 2019, she received my MFA in painting from RISD.
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Nevan Swanson is a photographer and filmmaker. As a 2018 Thomas J. Watson Fellow, he embarked on a self-designed project outside the US, wherein he explored the relationship between documentation and experience.
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Since 2001, Marc Leavitt has lived and worked in Belfast, Maine. His multilayered abstract paintings and works on paper have been placed in U.S. and international collections and featured in Architectural Digest, Boston Common, The Boston Globe, and other publications.
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Living and working in Yarmouth, Maine, Grace DeGennaro’s minimal compositions based on traditional symbols and sacred geometry have been exhibited at galleries and institutions internationally.
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Born in Texas with Mexico next door, Eva Goetz was influenced by the land: the bright and dusty colors found both within the landscape and in the narrative folk paintings she so loved. Story telling and pattern making are as central to Mexican folk art as water is to myth, and both are central in Goetz’s work.
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With a career spanning over 60 years, Maine’s Paul Caponigro is internationally regarded as one of the best photographers of our time.
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Splitting her time between Maine and Louisiana, Eleanor Owen Kerr captures “moments where the layers obscuring nature’s mysteries are slightly permeable, hinting at questions as well as answers.”
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Dirk McDonnell's captivating images convey those mysteries in the landscape that originally captured his attention and invite the viewer to navigate that landscape as he must have in creating the image.
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Czech-American Anna Mikuskova is a black-and-white, silver gelatin printer, who studied with Paul Caponigro. In photography, she finds a “visual language where boundaries are blurred, worlds co-exist, and time is but an idea.”
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Living and working on a dairy farm in Eliot, Maine, Antoinette Prien Schultze has been creating sculpture for forty-six years, sculpture that is at once monumental, yet emotional, strong, yet ethereal - and always beautiful.
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Anne Neely is a painter and printmaker who spends her time between Boston, Massachusetts, and Jonesport, Maine. Her work is in the collections of the Hammer Museum, the Brooklyn Museum, the deCordova Museum and Sculpture Park, the Farnsworth Art Museum, the Museum of Fine Arts, Boston, the National Gallery of Art, the Smithsonian American Art Museum, and the Whitney Museum of American Art, among others.
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The body of work is a physical and emotional responses to the environment I experienced.
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Kathleen Florance lives and maintains her studio in the Midcoast area of Maine. She has worked with a wide range of materials and formats, including large environmental installations and community-based projects.
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Frank Mauceri is an artist, composer, saxophonist, and educator based in southern, Maine. His work ranges from digital prints and animations to interactive musical performance, exploring generative systems often informed by musical processes.
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Munira Naqui’s work is an invitation to begin a visual dialogue; it is a form of language that gives shape to a space for contemplative engagement.
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In the artist’s own words, “The act of painting is really a way to draw with color. No matter how complicated the idea or powerful the unconscious obsession behind the work, all of it is ultimately secondary to the pursuit of the right color in the right space - or as Boston painter George Nick says, painting is always a matter of ‘chasing color.’”
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