As a process painter, I don’t use color as ornament -- I use it as force, as structure, as the senses made visible.
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Over the past six years my focus has shifted toward what I call the Image Object, images in our everyday world that are flat while existing in three-dimensional space.
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Lydia favors art that articulates a relationship to self, to body, space, and form. Abstraction gives her means to illustrate the often figurative sensations of loss (future tense), alienation (physical), and doubt.
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On the whole, the work is pared down and atmospheric, which is consistent with my previous paintings. They exist somewhere between representation and abstraction. Between form and formlessness.
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