The underlying focus of my work is the use of line in its many manifestations. I’m fascinated by how lines loosely layered horizontally can evoke water, and if you flip that drawing 90˚ it is like the bark of trees.
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The pieces in the show are part of a series titled “Lines”, inspired by the layered, dense, chaotic lines of nature and their underlying patterns and geometry.
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Simons is recognized as a Distinguished Alum from the Institute for Civic Leadership (2008), and he has served as a design critic at the University of Pennsylvania, Harvard University, and Northeastern University.
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Most of the lines I use support the paper for strength. I am currently using line in a more sensuous way. The modules are curved, but the final configuration does not have a bilaterally symmetrical form.
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For the past nine years Daniels has concentrated on fiber or textile art which happily for her is breaking the boundaries between fine art and craft.
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I work concurrently on a range of ideas in a variety of media. I grew up in a military family, as part of an invisible rootless tribe. The way I work reflects my nature and my nurture.
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Ellen Wieske is an artist who works in many materials. Primarily a metalsmith she worked in the Detroit jewelry industry for 18 years as a jeweler/stone setter/designer.
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I allow what comes naturally to my hand with the brush or blade. Pushing and pulling the paint to give it space and atmosphere until it pleases me.
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Spencer has worked in a variety of media, including watercolor, acrylics, and oils. She is also a printmaker and a co-founder of the Peregrine Press, a printmaking cooperative in Portland.
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Moving up here from the South, I am attracted to the varied, natural beauty of Maine.
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My work focuses on nature, exploring the relationship between the camera lens and light, space and time, the process of capturing an image.
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I am a painter who has always been intrigued by the art of photography.
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Bernd Haussmann is a German-born abstract artist, working since the 1990s as a US resident and now dividing his time between the north shore of Boston and western Maine.
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My paintings and collages are abstract landscapes of the mind, infused with the light of Maine's changing seasons and my own emotional weather.
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I see paintings as living things, as embodied beings. Paintings have skins, just like we do. They present their face to the world and have an interior life, just like we do. That is why making paintings is so compelling to me – they are the physical embodiment of our interior life and a form of communication between separate bodies and minds.
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Michael Torlen is a painter, printmaker, writer, and Professor Emeritus of the School of Art+Design at Purchase College, State University of New York.
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Jim Flahaven is an artist and educator living in Maine. He has exhibited his work in Canada and throughout the United States.
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Within this body of work, I am presenting two types of sculptures. One is repetitive and the other meant to be read like a book.
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My painting process is a response to witnessing massive glacial recession amidst global climate change. Devolving mountain beauty illustrated by an erosion of paint. My work emerges from a lifestyle that uploads alpine and forest imagery.
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Alison Hildreth incorporates ideas from research in cartography, astronomy, environmental studies, history, philosophy, and literature as a launching pad into her work, but many of her ideas come from walking and daydreaming.
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