Sara Crisp

I am a visual artist living in Maine. I choose to work in encaustic, an ancient method of painting using wax and pigment fused with heat because this process allows me to make many thin, translucent layers as well as embed natural objects: A sheet of mica, a mineral, petals, plants, and insects. Within each piece, I layer some combination of grids, letters, numbers, geometric patterns, and natural forms. (Photo by Winky Lewis)

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Tom Hall

In unmistakable fashion, Tom Hall captures the rugged, haunting beauty of the Maine landscape. Whether pristine or impacted by human hands, Hall emotionally conveys the true spirit of the place depicted.

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Penelope Jones

My paintings and collages work with architectural structure, surface texture, and color interaction, in a desire to make each piece a metaphorical location to explore and inhabit.  My process is both a building up and an excavation of sorts.

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Noriko Sakanishi

Dreams play an important part in my life and in my work.  They are part of me and yet separate enough to guide me.  Mostly, they tell me whether I am on the right track in my efforts to express myself through art.


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Pamela Moulton

Pamela Moulton works with textiles and recycled materials to achieve a trompe l’oeil effect, playing between organic and man-made objects and materials to trick the viewer into second guessing what is natural and what is artificial.

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Alice Spencer

The repeated form in this work is made from a shadow cast on sun sensitive paper and joined to its mirror image. The form, by chance, resembles a butterfly. A totem is a vertical wooden pole with carvings of guardians or ancestral beings, usually supernatural, that are revered and respected.
~ Alice Spencer

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Sam Lawrence

Sam Lawrence, a native of Yarmouth, Maine started working in glass in 2002. After seeing a show of glass art in western Massachusetts and a glassblowing demonstration in Murano, Italy, Sam knew he wanted to be a glass artist. While taking several classes in various glass art techniques over the years, Sam is mostly self-taught. Sam maintains a studio in Brunswick Maine.

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Jonathan Mess

My artwork is characterized by experimental abstraction using reclaimed ceramic materials and referencing natural land forms, constantly pushing my materials and processes into new territory. I have developed a low-waste making system by collecting discarded ceramic materials and recycling them into new forms.

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Judy Woodborne

Born in Cape Town 1966. Judy Woodborne obtained her B.A.F.A from Michaelis School of Fine Art in 1988 and an advanced Diploma in Printmaking awarded with Distinction in 1989.

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Sarah McRae Morton

Sarah McRae Morton’s paintings are invented portraits of her ancestors and historical figures – people from her own life, from books and paintings, and from her travels and stories learned.

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Matt Blackwell

In Blackwell’s inspired vision of America, he works within a variety methods, at times raw and spontaneous, and at others analytical, but always delivered with driving authority a touch of absurdity.

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Elise Ansel

Elise Ansel’s work references historical masterpieces, transforming their visual language into a fresh iteration of Abstract Expressionist sensibility.

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