Jane Yudelman
Read More
John Woodruff
Read More
To defy erasure and to build archives, simultaneously, Khan reveals the often invisible labor and mastery of the disregarded. To inscribe the denied into global and local multi-visual cultures, she researches and documents the lives of ordinary people who are extraordinary.
Read More
After graduation, Drewal joined the Peace Corps, taught French and English, and organized arts camps in Nigeria. During his two years in Nigeria he apprenticed himself to a Yoruba sculptor—a transformative experience that led him to interdisciplinary studies at Columbia University in African art history and culture.
Read More
“For me, the northern New England landscape is charged with both deep family history and memories of shared adventures. From the beginning, I have wanted my art to reflect my sense of this place as integral to my sense of self.”
Read More
Ed Douglas, the retired Chair of the art department at the Maine College of Art, is known for beautiful color combinations academically and thoughtfully laid to surface, deriving inspiration from classic Impressionist masterpieces.
Read More
Nanci Kahn is a photographer and sculptor based in Falmouth, Maine. She has exhibited in galleries and museums in Maine, New York, San Francisco and Ethiopia.
Her work can be found in the permanent collections at the National Museum of Ethiopia in Addis Ababa, Ethiopia, The Kroch Library at Cornell University, the Institute of Human Origins at Arizona State University, the Stephen K Halpert Photography Collection at the University of New England, Portland, Maine., and the Judy Ellis Glickman Collection, Portland Museum of Art, Portland, Maine.
Read More
Aaron T Stephan’s work presents a wry look at the world around him – focusing on the complex web of information carried by everyday materials and objects.
Read More
For over 25 years Brenton Hamilton has created a sustained body of work, largely concentrated within historic process.
Read More
Cole Caswell researches the remnants and patterns in our landscape that reflect contemporary strategies of survival.
Read More
“My photographic practice has been my outlet for exploring life’s unanswerable questions.”
Read More
My works in Diagonal Latitudes fall between 2D and 3D expressions (my sculptures are flat, my works on paper are sculptural) and stylistically between the decorative and fine arts.
Read More
“My studio practice is a study in playful resistance, an attempt to infuse flexibility — and joy — into the often rigid structures surrounding vision.”
Read More
“I find in ghostly Cyanotype a recovering of what has been lost: the suggestion, more potent than the distinct, the shadow more revealing than the substance.”
Read More
Susan Davens is an alternative process photography artist who lives and works in Maine.
Read More
Christine Tegeler Beneman is a painter and printmaker who lives and works in Portland, Maine.
Read More
Daniel Minter, known for his work in the mediums of painting and assemblage, often deals with themes of displacement and diaspora, ordinary/extraordinary blackness; spirituality in the Afro-Atlantic world; and the (re)creation of meanings of home.
Read More
Artist, educator, writer, and curator George Longfish (Seneca/Tuscarora) has been instrumental in shaping the field of contemporary Native American art for over forty years.
Read More
Much of my art is inspired by political events, but it’s not political art is the sense of trying to move people into action. I think of myself more as a witness.
Read More
Born and raised in New York City, Leonard Meiselman received his art education at the Cooper Union, the Skowhegan School of Art in Maine and the Cranbrook Academy in Michigan. After Living in Florence, Italy for over 18 years, he returned to the United States and is now a full-time Maine resident.
Read More