Ed Douglas, the retired Chair of the art department at the Maine College of Art, is known for beautiful color combinations academically and thoughtfully laid to surface, deriving inspiration from classic Impressionist masterpieces.
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Nanci Kahn is a photographer and sculptor based in Falmouth, Maine. She has exhibited in galleries and museums in Maine, New York, San Francisco and Ethiopia.
Her work can be found in the permanent collections at the National Museum of Ethiopia in Addis Ababa, Ethiopia, The Kroch Library at Cornell University, the Institute of Human Origins at Arizona State University, the Stephen K Halpert Photography Collection at the University of New England, Portland, Maine., and the Judy Ellis Glickman Collection, Portland Museum of Art, Portland, Maine.
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Aaron T Stephan’s work presents a wry look at the world around him – focusing on the complex web of information carried by everyday materials and objects.
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For over 25 years Brenton Hamilton has created a sustained body of work, largely concentrated within historic process.
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Cole Caswell researches the remnants and patterns in our landscape that reflect contemporary strategies of survival.
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“My photographic practice has been my outlet for exploring life’s unanswerable questions.”
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My works in Diagonal Latitudes fall between 2D and 3D expressions (my sculptures are flat, my works on paper are sculptural) and stylistically between the decorative and fine arts.
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“My studio practice is a study in playful resistance, an attempt to infuse flexibility — and joy — into the often rigid structures surrounding vision.”
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“I find in ghostly Cyanotype a recovering of what has been lost: the suggestion, more potent than the distinct, the shadow more revealing than the substance.”
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Susan Davens is an alternative process photography artist who lives and works in Maine.
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Christine Tegeler Beneman is a painter and printmaker who lives and works in Portland, Maine.
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Daniel Minter, known for his work in the mediums of painting and assemblage, often deals with themes of displacement and diaspora, ordinary/extraordinary blackness; spirituality in the Afro-Atlantic world; and the (re)creation of meanings of home.
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Artist, educator, writer, and curator George Longfish (Seneca/Tuscarora) has been instrumental in shaping the field of contemporary Native American art for over forty years.
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Much of my art is inspired by political events, but it’s not political art is the sense of trying to move people into action. I think of myself more as a witness.
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Born and raised in New York City, Leonard Meiselman received his art education at the Cooper Union, the Skowhegan School of Art in Maine and the Cranbrook Academy in Michigan. After Living in Florence, Italy for over 18 years, he returned to the United States and is now a full-time Maine resident.
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Natasha Mayers has been called “the most committed activist artist in Maine.” Her work often explores themes of peace and social justice
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For nearly 20 years, Robert Shetterly has been painting portraits of Americans Who Tell the Truth. The portraits have given Shetterly an opportunity to speak throughout the country about the necessity of dissent in a democracy, the obligations of citizenship, sustainability, US history, and how democracy cannot function if politicians don’t tell the truth, if the media don’t report it, and if the people don’t demand it.
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Fred Tomah (1951-2018) started making baskets in the 1960s.
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Bill Tomah, whose contemporary work created on the Houlton reservation is also featured here, is the uncle of the late Fred Tomah.
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Elizabeth Busch has been an artist all her life and an art quilter since 1983.
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