Jan Piribeck has an MFA from Northern Illinois University in Painting and Drawing, where she also studied Computer Imaging.
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Artist, scientist, mentor, Kim Bernard loves to share the joy of creation.
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Tim McCreight is a designer, teacher, author and metalsmith.
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Lisa Pixley is an artist and printmaker located in Portland, Maine, and is the founder of Pickwick Independent Press.
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Collaborating artists Gayle Fraas and Duncan Slade explore the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place.
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Kathleen Florance lives and maintains her studio in the Midcoast area of Maine. She has worked with a wide range of materials and formats, including large environmental installations and community-based projects.
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Paul Heroux is a ceramic artist in Central Maine with work in the collections of museums throughout New England.
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George Lloyd, our inaugural artist-in-residence, is a painter and draftsman who has lived and worked in Portland for three decades.
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Seeking to find visual order in the complexity of the natural landscape, Cynthia Orcutt creates images that are concise statements of the naturally occurring environment.
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A fine art nature photographer and an avid outdoor enthusiast, John Orcutt’s photography seeks to create an awareness of the necessity for active preservation of fragile places.
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Early in my career, the content was the subject; the paint was the means to tell a story. Today, the paint itself is the conveyor of whatever it is that I need to say. - Jon Imber
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Jane Goldman
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Catherine Kernan
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Dave Clough is committed to the craft and art of conveying a building’s beauty through the camera’s lens.
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Predominantly a wood carver, Lin Lisberger’s sculpture is a sketch of a moment in time and space and the life of the tree. Her work focuses on the abstraction of narrative.
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Interests in structures and observation have led Jean Noon to her practice of photography, which has been enhanced by opportunities to travel.
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“I work with intent, sometimes abandon, but always enthusiasm. My purpose is to open a dialogue, to offer a starting point. Make of it what you will and what your imagination will allow.”
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For more than thirty years, Liv kristin Robinson has been drawn to the unexpected beauty of marginal landscapes.
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An architectural and interior photographer, Sarah Szwajkos uses her camera’s lens to understand how we make a place our home.
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Brian’s work frequently examines abandoned architecture, rural architecture or industrial/post industrial structures and their relationship to the landscape.
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