Lisa Pixley is an artist and printmaker located in Portland, Maine, and is the founder of Pickwick Independent Press.
Read MoreCollaborating artists Gayle Fraas and Duncan Slade explore the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place.
Read MoreKathleen Florance lives and maintains her studio in the Midcoast area of Maine. She has worked with a wide range of materials and formats, including large environmental installations and community-based projects.
Read MorePaul Heroux is a ceramic artist in Central Maine with work in the collections of museums throughout New England.
Read MoreGeorge Lloyd, our inaugural artist-in-residence, is a painter and draftsman who has lived and worked in Portland for three decades.
Read MoreSeeking to find visual order in the complexity of the natural landscape, Cynthia Orcutt creates images that are concise statements of the naturally occurring environment.
Read MoreA fine art nature photographer and an avid outdoor enthusiast, John Orcutt’s photography seeks to create an awareness of the necessity for active preservation of fragile places.
Read MoreEarly in my career, the content was the subject; the paint was the means to tell a story. Today, the paint itself is the conveyor of whatever it is that I need to say. - Jon Imber
Read MoreJane Goldman
Read MoreCatherine Kernan
Read MoreDave Clough is committed to the craft and art of conveying a building’s beauty through the camera’s lens.
Read MorePredominantly a wood carver, Lin Lisberger’s sculpture is a sketch of a moment in time and space and the life of the tree. Her work focuses on the abstraction of narrative.
Read MoreInterests in structures and observation have led Jean Noon to her practice of photography, which has been enhanced by opportunities to travel.
Read More“I work with intent, sometimes abandon, but always enthusiasm. My purpose is to open a dialogue, to offer a starting point. Make of it what you will and what your imagination will allow.”
Read MoreFor more than thirty years, Liv kristin Robinson has been drawn to the unexpected beauty of marginal landscapes.
Read MoreAn architectural and interior photographer, Sarah Szwajkos uses her camera’s lens to understand how we make a place our home.
Read MoreBrian’s work frequently examines abandoned architecture, rural architecture or industrial/post industrial structures and their relationship to the landscape.
Read More“My paintings aim to capture a moment in time. It is through painting that I discover, experiment and enjoy leaps of faith that land onto the canvas and become unique objects of their own.”
Read MoreA photographer, painter, printmaker and lifelong educator, Beverly Hallam was a key member of Ogunquit’s art community in addition to being internationally known as a pioneering postwar female artist. Her career was distinguished from that of her peers in several important ways. In the early 50's she pioneered and researched the use of Polyvinyl Acetate as a painting medium, now used extensively internationally and known simply as "Acrylic.” She exhibited and demonstrated its use throughout the East. Known for her distinctive, extraordinarily detailed, larger-than-life airbrushed flowered canvases, her work was featured in 45 solo exhibitions in museums and galleries, and in 280 group shows. Her work is in the permanent collections of many museums and corporations as well as in private collections in the U.S.A., Canada, France, Belgium and Switzerland — including those of the Harvard Art Museums, Farnsworth Art Museum, Ogunquit Museum of American Art and National Museum of Women in the Arts.
Read More“The first piece I created in the Flowers Past and Present series was The Past Will Always Be There. The initial painting was a white phlox in the center of the paper. I started the painting in July of 2019. four months after my mother had died.”
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