Splitting her time between Maine and Louisiana, Eleanor Owen Kerr captures “moments where the layers obscuring nature’s mysteries are slightly permeable, hinting at questions as well as answers.”
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Dirk McDonnell's captivating images convey those mysteries in the landscape that originally captured his attention and invite the viewer to navigate that landscape as he must have in creating the image.
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Czech-American Anna Mikuskova is a black-and-white, silver gelatin printer, who studied with Paul Caponigro. In photography, she finds a “visual language where boundaries are blurred, worlds co-exist, and time is but an idea.”
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Living and working on a dairy farm in Eliot, Maine, Antoinette Prien Schultze has been creating sculpture for forty-six years, sculpture that is at once monumental, yet emotional, strong, yet ethereal - and always beautiful.
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Anne Neely is a painter and printmaker who spends her time between Boston, Massachusetts, and Jonesport, Maine. Her work is in the collections of the Hammer Museum, the Brooklyn Museum, the deCordova Museum and Sculpture Park, the Farnsworth Art Museum, the Museum of Fine Arts, Boston, the National Gallery of Art, the Smithsonian American Art Museum, and the Whitney Museum of American Art, among others.
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The body of work is a physical and emotional responses to the environment I experienced.
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Kathleen Florance lives and maintains her studio in the Midcoast area of Maine. She has worked with a wide range of materials and formats, including large environmental installations and community-based projects.
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Frank Mauceri is an artist, composer, saxophonist, and educator based in southern, Maine. His work ranges from digital prints and animations to interactive musical performance, exploring generative systems often informed by musical processes.
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Munira Naqui’s work is an invitation to begin a visual dialogue; it is a form of language that gives shape to a space for contemplative engagement.
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In the artist’s own words, “The act of painting is really a way to draw with color. No matter how complicated the idea or powerful the unconscious obsession behind the work, all of it is ultimately secondary to the pursuit of the right color in the right space - or as Boston painter George Nick says, painting is always a matter of ‘chasing color.’”
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Roy Germon’s landscapes convey a peaceful mood and the essence of a beautiful natural landscape. His paintings are a celebration of color and texture.
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Kathi Smith’s lush, expressionistic paintings are known for their loose, confident brush strokes, and their complex and sophisticated interplay of textures, gestural marks, and rich, abundant color.
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From frenetic Asian city streets to quiet villages, Portland-based photographer Meredith Kennedy captures a beauty of foreign cultures that transcends national boundaries.
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Portland-based photographer David Caras has been traveling to Cuba for almost two decades, capturing exquisite images of everyday life set in decaying colonial grandeur.
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Hungarian-born Maine resident, Miklos Pogany was a master of multiple media, creating vivid works based on nature and the built environment, exploring and pushing the parameters of each medium.
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With a remarkably accomplished career spanning seven decades, Harold Garde has made a significant, if often under-recognized contribution to Post-War American art.
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Ultimately, I make pictures I want to see.
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David Wolfe is a master printer whose woodcuts, prints and handmade books are in the collections of Bates College Museum of Art, Bowdoin College Museum of Art Special Collections and the Portland Museum of Art, as well as numerous private collections.
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Michel Droge is a painter, printmaker and educator whose work engages with the environment and the human condition in an era of uncertainty.
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DM Witman works with photographic media to explore our relationship to the natural world, our place in the universe, and our responsibly to this earth and those who inhabit it, in the process creating captivating, exquisite pieces of visual art.
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